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Dadaism

c. 1916
c. 1924
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Dadaism, an avant-garde art movement that emerged in the early 20th century, primarily between 1916 and 1924, was characterized by its radical rejection of traditional aesthetics and its embrace of chaos and irrationality. Originating in Zurich amidst the turmoil of World War I, Dada artists sought to undermine established artistic conventions and societal norms through absurdity, spontaneity, and anti-art sentiments. Key figures such as Tristan Tzara, Marcel Duchamp, and Hannah Höch employed techniques like collage, photomontage, and readymades to challenge the boundaries of art and provoke critical discourse. Central themes of Dadaism included anti-war politics, critique of bourgeois culture, and the exploration of chance and randomness. The movement's influence on art history is profound, laying the groundwork for later developments in Surrealism, Conceptual Art, and Performance Art, and continuing to inspire contemporary artists in their exploration of the absurd and the subversion of traditional artistic values.

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