André François Alloys de Theys d'Herculais (1692–1779)

Nicolas de Largillierre (or Largillière)

Created:
Movement:
1727
Rococo
key Notes:
Regal Portraiture, Baroque Elegance
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Dimensions:
54 1/4 x 41 1/2 in. (137.8 x 105.4 cm)
medium:
Oil on canvas
Difficulty:
Expert
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story of the work:

"André François Alloys de Theys d'Herculais (1692–1779)" is a portrait painted by Nicolas de Largillierre in 1727. Largillierre was a prominent French painter known for his portraits and ability to capture the likeness and character of his subjects. The painting depicts André François Alloys de Theys d'Herculais, a French nobleman and member of the aristocracy. The work exemplifies Largillierre's skill in rendering textures and fabrics, particularly in the detailed representation of clothing. The composition reflects the conventions of 18th-century portraiture, emphasizing the subject's status and dignity. The exact circumstances of the commission and the relationship between Largillierre and de Theys d'Herculais remain unknown. The painting is part of the collection at the Musée des Beaux-Arts in Dijon, France.

Description of the work:

The painting "André François Alloys de Theys d'Herculais (1692–1779)" by Nicolas de Largillierre, created in 1727, is an oil on canvas portrait. The subject is depicted in a three-quarter pose, exuding an air of dignity and authority. The figure is dressed in elaborate attire, characterized by rich fabrics and intricate details that reflect the fashion of the period. The background features a muted palette, allowing the subject to stand out prominently. Largillierre employs a soft, naturalistic approach to light, enhancing the textures of the clothing and the facial features of the sitter. The composition is balanced, with the subject positioned centrally, drawing the viewer's attention. The artist's technique showcases a mastery of color and form, contributing to the overall sense of realism in the portrait. The work exemplifies the style of French portraiture in the early 18th century, highlighting both the individual and the societal status of the sitter.

Artwork Photograph Source:
Metropolitan Museum of Art

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André François Alloys de Theys d'Herculais (1692–1779)