Annunciation (1495)

"The Annunciation" by Jean Hey, also known as the Master of Moulins, is a significant work of the late 15th century, reflecting the transition from Gothic to Renaissance styles in Northern Europe. The painting depicts the biblical moment of the Annunciation, where the Angel Gabriel announces to the Virgin Mary that she will conceive the Son of God. Hey's composition is characterized by its intricate details, vibrant colors, and the use of a rich, decorative background, typical of the Flemish style. The figures are rendered with a sense of realism and emotional expression, showcasing Hey's skill in portraying human anatomy and drapery. The work is notable for its use of light and shadow, which adds depth and dimension to the figures. The painting is housed in the Musée des Beaux-Arts in Dijon, France, and is part of a larger tradition of Annunciation scenes in Christian art. The artist's identity remains somewhat enigmatic, but his works are recognized for their high quality and technical proficiency. The date of creation is not definitively known, but it is generally placed within the late 15th century, aligning with Hey's active period.

"The Annunciation" by Jean Hey, also known as the Master of Moulins, is a notable example of late 15th-century Netherlandish painting, executed in oil on panel. The composition features the Archangel Gabriel and the Virgin Mary, positioned within a richly detailed architectural setting that reflects the Gothic style. Gabriel is depicted in a dynamic pose, gesturing towards Mary, who is shown in a moment of contemplation, her hands clasped in prayer. The figures are rendered with meticulous attention to detail, showcasing the artist's skill in capturing the textures of fabric and the subtleties of human expression. The color palette is characterized by vibrant hues, particularly the deep blues and reds of the garments, which contrast with the softer tones of the background. The use of light and shadow enhances the three-dimensionality of the figures, while the intricate patterns of the textiles add a decorative quality to the overall composition. The background features a serene landscape, contributing to the spiritual atmosphere of the scene. The painting exemplifies the transition from Gothic to Renaissance styles, merging detailed realism with a sense of divine presence.