Arrangement in Flesh Colour and Black: Portrait of Theodore Duret

James McNeill Whistler

Created:
Movement:
1883
Tonalism
key Notes:
Monochromatic Harmony Subtle Elegance
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Dimensions:
76 1/8 x 35 3/4 in. (193.4 x 90.8 cm)
medium:
Oil on canvas
Difficulty:
Easy
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story of the work:

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Arrangement in Flesh Colour and Black: Portrait of Theodore Duret

James McNeill Whistler, an influential American artist, created "Arrangement in Flesh Colour and Black: Portrait of Theodore Duret" in 1883 using oil on canvas. This work exemplifies Whistler's commitment to the aesthetic movement, emphasizing harmony and composition over narrative content. The portrait features Theodore Duret, a prominent French art critic and supporter of the Impressionist movement, highlighting Whistler's connections with key figures in the art world of his time. Whistler's use of a limited color palette and subtle tonal variations reflects his interest in the principles of "art for art's sake." The painting is significant for its contribution to the development of modern portraiture, moving away from traditional representational approaches. Whistler's innovative techniques and stylistic choices continue to influence artists and art historians alike.

Description of the work:

Arrangement in Flesh Colour and Black: Portrait of Theodore Duret

Created in 1883 by James McNeill Whistler, this oil on canvas painting exemplifies Whistler's interest in tonal harmony and subtle color palettes, characteristic of his "Arrangement" series. The portrait features the French art critic Theodore Duret, rendered with a focus on compositional balance and the interplay of flesh tones against a dark background.

Artwork Photograph Source:
Metropolitan Museum of Art

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Arrangement in Flesh Colour and Black: Portrait of Theodore Duret