Charles Claude de Flahaut (1730–1809), Comte d'Angiviller

Jean-Baptiste Greuze

Created:
Movement:
1763
Neoclassicism
key Notes:
Neoclassical Portraiture, Aristocratic Elegance
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Dimensions:
25 1/4 x 21 1/4 in. (64.1 x 54 cm)
medium:
Oil on canvas
Difficulty:
Expert
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story of the work:

"Charles Claude de Flahaut (1730–1809), Comte d'Angiviller" is a portrait painted by Jean-Baptiste Greuze in 1763. The subject, Charles Claude de Flahaut, was a prominent French nobleman and art patron, known for his role as the director of the Royal Academy of Painting and Sculpture. Greuze was recognized for his ability to convey psychological depth and emotional resonance in his portraits. The painting exemplifies the Rococo style, characterized by its delicate colors and attention to detail. It reflects the social and cultural milieu of 18th-century France, particularly the importance of portraiture in aristocratic society. The work is notable for its intimate portrayal of the subject, emphasizing both his status and personality. The current location of the painting is unknown.

Description of the work:

The painting "Charles Claude de Flahaut (1730–1809), Comte d'Angiviller" by Jean-Baptiste Greuze, created in 1763, depicts the subject in a three-quarter pose, exuding an air of dignity and authority. The Comte d'Angiviller is portrayed wearing an elaborate costume that reflects the fashion of the period, characterized by rich fabrics and intricate details. The color palette is dominated by warm tones, with deep reds and golds that enhance the opulence of the attire. Greuze employs a soft, naturalistic approach to lighting, which highlights the facial features and textures of the clothing. The background is rendered in a muted tone, allowing the figure to stand out prominently. The composition is balanced, with the subject's gaze directed slightly off-center, inviting the viewer into the narrative of the portrait. The brushwork is meticulous, particularly in the rendering of the skin tones and the delicate play of light and shadow. Overall, the painting exemplifies Greuze's skill in capturing both the physical likeness and the social status of his subjects.

Artwork Photograph Source:
Metropolitan Museum of Art

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Charles Claude de Flahaut (1730–1809), Comte d'Angiviller