Christ before Pilate; The Resurrection

Ludwig Schongauer

Created:
Movement:
1494
Renaissance
key Notes:
Renaissance religious narrative; Detailed figural composition
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Dimensions:
(a) overall 15 1/8 x 8 1/4 in. (38.4 x 21 cm), painted surface 14 3/8 x 7 3/4 in. (36.5 x 19.7 cm); (b) overall 15 1/8 x 8 1/4 in. (38.4 x 21 cm), painted surface 14 1/2 x 7 3/4 in. (36.8 x 19.7 cm)
medium:
Oil on fir
Difficulty:
Expert
New game
story of the work:

"Christ before Pilate; The Resurrection" is a work attributed to the German painter and engraver Ludwig Schongauer. The exact date of its creation is unknown, but Schongauer was active during the late 15th century, with his most notable works produced between 1460 and 1490. The painting reflects themes of Christ's trial and resurrection, significant events in Christian theology. Schongauer is recognized for his detailed and expressive style, which combines elements of Gothic and early Renaissance art. His works often feature intricate line work and a strong emphasis on emotional expression. The painting is part of a larger tradition of religious art that sought to convey spiritual narratives to viewers. The current location of the painting is not specified in available records.

Description of the work:

"Christ before Pilate; The Resurrection" by Ludwig Schongauer is an oil painting on fir that presents a dramatic narrative scene. The composition is divided into two distinct yet interconnected parts, illustrating the moments of Christ's trial before Pontius Pilate and the subsequent resurrection. The figures are rendered with meticulous attention to detail, showcasing Schongauer's skill in depicting human emotion and physicality. The use of light and shadow creates a sense of depth and dimensionality, enhancing the tension of the scene. Rich colors are employed to convey the gravity of the subject matter, with a predominance of deep reds and earthy tones. The background features architectural elements that suggest a historical context, grounding the biblical narrative in a recognizable setting. The overall arrangement of figures directs the viewer's gaze towards Christ, emphasizing his central role in the unfolding drama. The painting exemplifies Schongauer's mastery of oil techniques, with smooth brushwork and a refined finish that highlight the textures of clothing and skin.

Artwork Photograph Source:
Metropolitan Museum of Art

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Christ before Pilate; The Resurrection