Corpse and Mirror II

"Corpse and Mirror II" is a painting by American artist Jasper Johns, created in 2002. The work is part of Johns' exploration of themes related to perception, identity, and the interplay between representation and abstraction. The title references the duality of life and death, as well as the act of reflection, both literal and metaphorical. The composition features a layered approach, incorporating elements of collage and mixed media, which is characteristic of Johns' later works. The use of a mirror in the title suggests a contemplation of self and the viewer's relationship to the artwork. This piece exemplifies Johns' ongoing engagement with the concept of the "found object" and the significance of everyday materials in art. "Corpse and Mirror II" reflects the artist's interest in the complexities of visual language and the act of seeing. The painting is part of a broader dialogue within Johns' oeuvre that challenges traditional notions of representation and invites viewers to reconsider their perceptions.

"Corpse and Mirror II" by Jasper Johns is a multi-panel work composed of four joined canvases, utilizing oil and sand as its primary media. The surface texture is notably tactile, with the incorporation of sand adding a granular quality that enhances the visual depth. The color palette is predominantly muted, featuring shades of gray, black, and white, which contribute to a somber and introspective atmosphere. The composition is characterized by a juxtaposition of abstract forms and recognizable imagery, creating a dialogue between representation and abstraction. The artist's painted frame integrates seamlessly with the canvases, reinforcing the overall unity of the work. The arrangement of elements within the panels invites the viewer to engage with the interplay of positive and negative space. The use of mirrors as a motif suggests themes of reflection and perception, while the title evokes a sense of mortality and existential contemplation. The work exemplifies Johns' exploration of the boundaries between art and reality, challenging conventional notions of representation.