Cremorne Gardens, No. 2

James McNeill Whistler

Created:
Movement:
1880
Tonalism
key Notes:
Nocturne; Atmospheric ambiance
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Dimensions:
27 x 53 1/8 in. (68.6 x 134.9 cm)
medium:
Oil on canvas
story of the work:

"Cremorne Gardens, No. 2" is a painting by American artist James McNeill Whistler, created circa 1870–80. The work depicts the Cremorne Gardens, a popular entertainment venue in London known for its music, dance, and social gatherings. Whistler's approach to the subject reflects his interest in the interplay of light and color, characteristic of his later works. The painting is notable for its loose brushwork and atmospheric quality, emphasizing mood over detailed representation. Whistler was influenced by Japanese aesthetics and the principles of tonal harmony, which are evident in this piece. The exact date of creation remains uncertain, as does the specific context in which it was painted. "Cremorne Gardens, No. 2" is part of Whistler's broader exploration of urban life and leisure in the late 19th century. The painting is held in a private collection, and its exhibition history includes various shows focused on Whistler's oeuvre.

Description of the work:

"Cremorne Gardens, No. 2" by James McNeill Whistler is an oil on canvas painting created circa 1870–80. The composition features a nocturnal scene illuminated by artificial light, capturing the ambiance of the Cremorne Gardens in London. The palette is dominated by deep blues and blacks, contrasted with warm yellows and whites that suggest the glow of gas lamps. The brushwork is fluid and expressive, contributing to a sense of movement and atmosphere. Figures are depicted in silhouette, adding to the overall sense of mystery and intrigue. The painting exemplifies Whistler's interest in the interplay of light and color, as well as his focus on the aesthetic experience of urban life. The overall effect is one of harmony and balance, inviting viewers to immerse themselves in the scene.

Artwork Photograph Source:
Metropolitan Museum of Art

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Cremorne Gardens, No. 2