Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby

"Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)" is a painting by Angelica Kauffmann, created around 1776. Kauffmann was a prominent Swiss painter and a founding member of the Royal Academy in London, known for her neoclassical style and portraiture. The painting depicts the Earl of Derby, his wife, and their son in a familial composition that emphasizes both their social status and intimate relationships. The work reflects Kauffmann's skill in capturing the likeness and character of her subjects, as well as her ability to convey emotion through gesture and expression. The identities of the sitters are significant, as the Earl of Derby was an influential figure in British politics and society during the late 18th century. The painting is characterized by its soft color palette and classical composition, typical of Kauffmann's oeuvre. The exact circumstances of the commission and the painting's early history are unknown. The work is part of the collection at the National Gallery of Scotland.

The painting "Edward Smith Stanley, Twelfth Earl of Derby, Elizabeth, Countess of Derby, and Their Son" by Angelica Kauffmann features a family portrait composition. The figures are arranged in a triangular formation, emphasizing their familial connection. Edward Smith Stanley is depicted in formal attire, exuding a sense of authority and status. Elizabeth, Countess of Derby, is portrayed in an elegant gown, adorned with delicate details that highlight her femininity. Their son, Edward Smith Stanley, is shown in youthful attire, suggesting innocence and potential. The background consists of a serene landscape, enhancing the intimate atmosphere of the scene. Kauffmann employs a soft color palette, with warm tones that create a harmonious balance among the figures. The use of light and shadow adds depth to the composition, drawing attention to the subjects' expressions and interactions. The overall arrangement and execution reflect Kauffmann's neoclassical style, characterized by clarity and grace.