George IV (1762–1830), When Prince of Wales

Sir William Beechey

Created:
Movement:
1839
None
key Notes:
Regal Portraiture, Opulent Attire
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Dimensions:
56 1/4 x 44 1/2 in. (142.9 x 113 cm)
medium:
Oil on canvas
story of the work:

"George IV (1762–1830), When Prince of Wales" is a portrait by Sir William Beechey, a prominent British portrait painter known for his depictions of royalty and notable figures. The painting captures George IV during his tenure as Prince of Wales, a period marked by his extravagant lifestyle and significant political influence. Beechey was appointed as the official portraitist for the royal family, which allowed him to create numerous works featuring members of the British monarchy. The exact date of the painting's creation is unknown, but it is believed to have been completed in the early 19th century, coinciding with George IV's rise to prominence. The work exemplifies Beechey's skill in rendering the likeness and character of his subjects, as well as his ability to convey the opulence associated with royal portraiture. The painting is part of a broader tradition of royal portraiture that aimed to reinforce the status and image of the monarchy. The current location of the painting is not specified in the available records.

Description of the work:

"George IV (1762–1830), When Prince of Wales" by Sir William Beechey is an oil on canvas portrait that captures the subject in a formal pose, reflecting his status and authority. The painting features George IV dressed in elaborate regalia, showcasing intricate details in the fabric and embellishments of his attire. The color palette is rich, with deep blues and golds that convey a sense of opulence. The background is composed of soft, muted tones that enhance the prominence of the figure. Beechey's technique demonstrates a keen attention to texture, particularly in the rendering of the clothing and the sitter's facial features. The expression of George IV is dignified, embodying the characteristics of leadership and nobility. The composition is balanced, with the figure centrally placed, drawing the viewer's focus to the subject's commanding presence. Overall, the painting exemplifies the style of portraiture prevalent in the early 19th century, emphasizing both the individual and the grandeur of the monarchy.

Artwork Photograph Source:
Metropolitan Museum of Art

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George IV (1762–1830), When Prince of Wales