Created:
Movement:
1399
Gothic art
key Notes:
Gothic Spirituality, Expressive Iconography
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Dimensions:
Overall, with engaged frame, 11 5/8 x 8 1/8 in. (29.5 x 20.6 cm); painted surface 9 5/8 x 6 1/8 in. (24.4 x 15.6 cm)
medium:
Tempera on wood, gold ground
Difficulty:
Expert
New game
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Head of Christ by Master of the Orcagnesque Misericordia

The painting "Head of Christ," created in 1399 by the Master of the Orcagnesque Misericordia, exemplifies the use of tempera on wood with a gold ground, a technique prevalent in late medieval Italian art. This work reflects the stylistic influences of the Orcagna brothers, renowned for their contributions to the Gothic style in Florence. The artist, whose identity remains anonymous, is recognized for his adherence to the Orcagnesque style, characterized by its delicate figures and ethereal use of gold leaf. The "Head of Christ" is significant for its devotional purpose, serving as a focal point for personal meditation and prayer during the late 14th century. The painting's historical impact lies in its representation of the transition from medieval to early Renaissance art, highlighting the evolving techniques and religious themes of the period. This work contributes to our understanding of the devotional practices and artistic developments in Italy at the close of the 14th century.

Description of the work:

Head of Christ by Master of the Orcagnesque Misericordia

The painting "Head of Christ," created in 1399 by the Master of the Orcagnesque Misericordia, exemplifies the Gothic style with its use of tempera on wood and a gold ground, highlighting the spiritual and divine nature of the subject. This artwork, characterized by its delicate lines and rich color palette, reflects the devotional focus typical of late 14th-century Italian religious art.

Artwork Photograph Source:
Metropolitan Museum of Art

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Head of Christ