Head of Executioner, from John Evelyn's Sculptura

Richard Houston

Created:
Movement:
1755
None
key Notes:
Baroque intensity, Dramatic chiaroscuro
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Dimensions:
Image/plate: 13 × 16.3 cm (5 1/8 × 6 7/16 in.); Sheet: 17.8 × 17.8 cm (7 1/16 × 7 1/16 in.)
medium:
Mezzotint in black on ivory laid paper
Difficulty:
Master
New game
story of the work:

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Head of Executioner, from John Evelyn's Sculptura

The artwork titled "Head of Executioner, from John Evelyn's Sculptura" by Richard Houston, created in 1755, is a notable example of mezzotint, a printmaking technique that allows for the creation of rich tonal variations. This piece, executed in black on ivory laid paper, exemplifies Houston's skill in capturing dramatic contrasts and intricate details, characteristic of mezzotint's capacity to render depth and texture.

Richard Houston (1721–1775) was an Irish mezzotint engraver known for his portraits and reproductions of paintings. His work contributed significantly to the dissemination of art in the 18th century, as mezzotints were a popular medium for reproducing paintings before the advent of photography. Houston's engravings were instrumental in making art accessible to a broader audience, thus playing a crucial role in the cultural landscape of the time.

Description of the work:

"Head of Executioner, from John Evelyn's Sculptura" by Richard Houston, created in 1755, is a mezzotint rendered in black on ivory laid paper, showcasing the intricate detail and tonal variation characteristic of this printmaking technique. The artwork, part of a series illustrating John Evelyn's treatise on engraving, captures the somber and intense expression of an executioner, reflecting the period's fascination with dramatic and emotive portraiture.

Artwork Photograph Source:
Art Institute of Chicago

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Head of Executioner, from John Evelyn's Sculptura