Heinrich(?) vom Rhein zum Mohren (1477–1536)

Conrad Faber von Creuznach

Created:
Movement:
1529
Renaissance
key Notes:
Renaissance Portraiture, Detailed Attire
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Dimensions:
Overall 21 3/4 x 15 5/8 in. (55.2 x 39.7 cm); painted surface 21 1/2 x 15 in. (54.6 x 38.1 cm)
medium:
Oil and gold on oak
Difficulty:
Expert
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story of the work:

"Heinrich vom Rhein zum Mohren" is a painting attributed to Conrad Faber von Creuznach, created in the late 1520s. The work is notable for its detailed portrayal of Heinrich vom Rhein, a figure whose identity and significance remain somewhat obscure. Faber von Creuznach was a German painter known for his portraits and religious works during the Renaissance period. The painting exemplifies the artist's skill in rendering textures and facial expressions, characteristic of Northern Renaissance art. The exact circumstances surrounding the commission and the intended audience for this portrait are unknown. The painting is currently housed in a museum collection, where it contributes to the understanding of portraiture in early 16th-century Germany. Further research may provide additional insights into the historical context and significance of the subject depicted.

Description of the work:

"Heinrich(?) vom Rhein zum Mohren" is a painting by Conrad Faber von Creuznach, created in the late 1520s using oil and gold on oak. The work features a portrait of a male figure, possibly Heinrich vom Rhein, depicted in a three-quarter view. The subject is adorned in richly detailed clothing, characterized by intricate patterns and vibrant colors that reflect the fashion of the period. The background is composed of a subtle, muted landscape that enhances the prominence of the figure. Gold leaf is utilized to accentuate certain elements, adding a luminous quality to the composition. The artist's meticulous attention to detail is evident in the rendering of facial features and textures of the garments. The overall composition conveys a sense of dignity and status, typical of portraiture from this era. The painting exemplifies the blend of realism and decorative elements characteristic of Northern Renaissance art.

Artwork Photograph Source:
Metropolitan Museum of Art

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Heinrich(?) vom Rhein zum Mohren (1477–1536)