Henry Bromfield Rogers (1802-1887), after Sarah Wyman Whitman (1842-1904)
Marie Danforth Page
The painting "Henry Bromfield Rogers (1802-1887), after Sarah Wyman Whitman (1842-1904)" by Marie Danforth Page is a notable example of early 20th-century American portraiture, reflecting the influence of Whitman's style and the cultural context of the period. Page, an accomplished artist in her own right, contributed to the legacy of portrait painting by capturing the likeness of Rogers, a prominent figure in the Boston Brahmin society, thereby reinforcing the social and artistic connections of her time.
The painting "Henry Bromfield Rogers (1802-1887), after Sarah Wyman Whitman (1842-1904)" by Marie Danforth Page features a formal portrait composition, characterized by a subdued color palette and a focus on the subject's dignified expression. The use of light and shadow enhances the three-dimensionality of Rogers' figure, while the background remains neutral, drawing attention to the intricate details of his attire and the thoughtful demeanor he embodies.