"Landscape Painting in the Shape of a Fan" by Sheng Mao (circa 17th century) exemplifies the traditional Chinese practice of fan painting, which merges functional object and artistic expression. This work reflects the cultural significance of landscape in Chinese art, emphasizing harmony with nature and the aesthetic appreciation of natural scenery, while also showcasing the technical skill and creativity of the artist within the context of the Ming-Qing transition.
"Landscape Painting in the Shape of a Fan" by Sheng Mao (盛懋) features a composition that elegantly mimics the form of a traditional folding fan, characterized by its semi-circular shape and intricate depiction of natural elements. The artwork employs a harmonious palette of muted greens and browns, skillfully rendering mountains, water, and flora, which collectively evoke a sense of tranquility and balance inherent in classical Chinese landscape painting.
