Created:
Movement:
c. 1870
Romanticism
key Notes:
Romantic naturalism, Luminous atmosphere
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Dimensions:
26 × 34.9 cm (10 1/4 × 13 3/4 in.); Framed: 52.1 × 61 × 9.6 cm (20 1/2 × 24 × 3 3/4 in.)
medium:
Oil on panel
story of the work:

"Landscape with Figures" by Narcisse Virgile Diaz de la Peña is a notable example of the artist's engagement with Romanticism and the Barbizon School. Diaz, active in the mid-19th century, was known for his ability to capture the interplay of light and color in natural settings. The painting features a pastoral scene populated with figures, reflecting the artist's interest in the relationship between humanity and nature. Diaz often drew inspiration from the landscapes of the Forest of Fontainebleau, where he painted en plein air, allowing for a direct observation of the environment. His works frequently exhibit a lush, vibrant palette and a dynamic composition that emphasizes the emotional resonance of the landscape. The exact date of creation for this specific painting remains unknown, but it is representative of Diaz's mature style, which evolved throughout his career. The painting is significant within the context of 19th-century French art, illustrating the transition from academic traditions to more expressive and personal interpretations of nature. Diaz's contributions to the Barbizon School helped pave the way for later developments in Impressionism.

Description of the work:

"Landscape with Figures" by Narcisse Virgile Diaz de la Peña exemplifies the artist's mastery of light and color within a natural setting. The composition features a lush, verdant landscape, characterized by a dense arrangement of trees and foliage that creates a sense of depth and intimacy. Figures are integrated into the scene, engaging with the environment, which enhances the narrative quality of the work. The use of oil on panel allows for a rich texture and a vibrant palette, with a predominance of greens and earth tones that evoke a sense of tranquility. The interplay of light and shadow is skillfully rendered, highlighting the forms of both the landscape and the figures, while the atmospheric effects suggest a specific time of day, likely during the golden hour. The overall composition reflects the Romantic sensibilities of the period, emphasizing the beauty of nature and the human experience within it.

Artwork Photograph Source:
Art Institute of Chicago

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Landscape with Figures