Madonna and Child with the Donor, Pietro de' Lardi, Presented by Saint Nicholas

"Madonna and Child with the Donor, Pietro de' Lardi, Presented by Saint Nicholas" is a painting attributed to Master G.Z., possibly Michele dai Carri, an Italian artist active in Ferrara. The work is dated to approximately 1420–30 and reflects the early Renaissance style prevalent in Northern Italy. The composition features the Virgin Mary and the Christ Child, with the donor, Pietro de' Lardi, depicted in a prayerful pose. Saint Nicholas is shown presenting the donor to the Madonna, emphasizing the theme of intercession. The painting is characterized by its use of vibrant colors and detailed drapery, typical of the period. The identity of the donor, Pietro de' Lardi, suggests a connection to the local elite or merchant class in Ferrara. The exact circumstances of the commission and the painting's provenance remain unknown. The work is significant for its representation of devotional art in the early 15th century and its insight into the socio-religious context of the time.

"Madonna and Child with the Donor, Pietro de' Lardi, Presented by Saint Nicholas" is a tempera and gold on wood painting attributed to Master G.Z., possibly Michele dai Carri. The composition features the Virgin Mary holding the Christ Child, both rendered with a serene expression. The figures are adorned in richly colored garments, with intricate details that highlight the textures of their clothing. The background is embellished with gold leaf, creating a luminous effect that enhances the sacred atmosphere of the work. The donor, Pietro de' Lardi, is depicted in a smaller scale, positioned to the side, presenting himself to the Virgin and Child. Saint Nicholas is also included in the composition, depicted in a manner that emphasizes his role as a mediator. The overall arrangement reflects a hierarchical structure, common in religious art of the period, with the divine figures occupying the central focus. The use of gold and vibrant colors contributes to the painting's visual richness and spiritual significance. The work exemplifies the early Renaissance style, characterized by a blend of naturalism and decorative elements.