Madonna and Child with the Infant Saint John the Baptist and Angels

Madonna and Child with the Infant Saint John the Baptist and Angels

The painting titled "Madonna and Child with the Infant Saint John the Baptist and Angels," attributed to the artist known as Pseudo-Pier Francesco Fiorentino, was created in 1500 using tempera and gold on wood. This work exemplifies the stylistic characteristics of the late 15th and early 16th centuries in Italy, particularly the use of gold to enhance the divine aura of religious figures. The composition reflects the influence of Florentine art, with its balanced arrangement and serene expressions, typical of the period's devotional imagery. Pseudo-Pier Francesco Fiorentino is a name given to an anonymous artist whose works were initially attributed to Pier Francesco Fiorentino, highlighting the complexities of attribution in Renaissance art. The painting contributes to the understanding of the diffusion of Florentine artistic styles beyond the city, illustrating the broader cultural exchanges within Italy during the Renaissance. This piece is significant for its representation of religious themes and its role in the ongoing scholarly efforts to accurately attribute works from this era.

The painting "Madonna and Child with the Infant Saint John the Baptist and Angels" by the artist known as Pseudo-Pier Francesco Fiorentino, created in 1500, exemplifies the Italian Renaissance style with its use of tempera and gold on wood, highlighting the period's emphasis on religious iconography and intricate detailing. The artwork depicts the Virgin Mary with the Christ Child, accompanied by the infant Saint John the Baptist and angels, a common theme in Renaissance art that underscores the significance of these figures in Christian theology.