Madonna and Child with the Infant Saint John the Baptist and Angels

"Madonna and Child with the Infant Saint John the Baptist and Angels" is a painting attributed to the artist known as Pseudo-Pier Francesco Fiorentino, a name given to an anonymous painter active in the late 15th century in Florence. The exact date of creation is unknown, but the work is typically associated with the early Renaissance period. The composition features the Virgin Mary holding the Christ Child, accompanied by the infant Saint John the Baptist and angels, a common theme in religious art of the time. The artist's style reflects the influence of Pier Francesco Fiorentino, characterized by delicate figures and a serene color palette. The painting is notable for its emotional expressiveness and the intricate detailing of the figures' garments. The work is housed in a private collection or museum, though specific location details may vary. The identity of Pseudo-Pier Francesco Fiorentino remains uncertain, and further research is needed to clarify his contributions to Renaissance art.

"Madonna and Child with the Infant Saint John the Baptist and Angels" is a tempera and gold on wood painting attributed to the artist known as Pseudo-Pier Francesco Fiorentino. The composition features the Virgin Mary holding the Christ Child, who is depicted in a tender pose. The Infant Saint John the Baptist is positioned to the side, engaging with the viewer. Surrounding the central figures are angels, rendered with delicate features and flowing drapery. The use of gold leaf enhances the luminosity of the work, creating a sense of divine presence. The color palette is characterized by soft, muted tones, contributing to the overall serene atmosphere. The figures are outlined with precise lines, emphasizing their forms against the gilded background. The painting exemplifies the stylistic elements of early Renaissance art, showcasing a blend of naturalism and spiritual symbolism. The exact date of creation remains unknown.