Maharana Amar Singh II Is Shown Two Silver Elephants

"Maharana Amar Singh II Is Shown Two Silver Elephants" is a painting attributed to the Stipple Master, created around 1705. The work depicts Maharana Amar Singh II, the ruler of Mewar, who reigned from 1698 to 1710, receiving two silver elephants, symbolizing wealth and power. The Stipple Master is known for his intricate stippling technique, which creates detailed textures and patterns. This painting reflects the artistic style of the Rajput courts during the late 17th and early 18th centuries, characterized by vibrant colors and elaborate ornamentation. The historical context of the painting highlights the significance of elephants in royal ceremonies and their association with nobility in Indian culture. The exact identity of the Stipple Master remains unknown, as does the specific provenance of this painting prior to its current location. The work is an important example of the fusion of Mughal and Rajput artistic traditions.

"Maharana Amar Singh II Is Shown Two Silver Elephants," created by Stipple Master around 1705, is a richly detailed work executed in ink, opaque watercolor, silver, and gold on paper. The composition features Maharana Amar Singh II, depicted in a regal posture, surrounded by attendants and the two silver elephants, which are rendered with intricate detailing that highlights their grandeur. The use of gold and silver adds a luminous quality to the painting, enhancing the opulence of the scene. The background is adorned with delicate floral motifs and architectural elements, typical of the period's style. The figures are characterized by their elaborate garments, showcasing vibrant colors and intricate patterns that reflect the artistic conventions of Indian miniature painting. The overall arrangement conveys a sense of hierarchy and celebration, emphasizing the significance of the Maharana and the ceremonial presentation of the elephants. The meticulous stippling technique employed by the artist contributes to the painting's texture and depth, inviting viewers to engage closely with the work.