Maharana Amar Singh II with Ladies of the Zenana outside the Picture Hall at Rajnagar
Stipple Master
We have not been able to find much information about this work, or we believe the information we sourced needed more review.
Maharana Amar Singh II with Ladies of the Zenana outside the Picture Hall at Rajnagar
The painting "Maharana Amar Singh II with Ladies of the Zenana outside the Picture Hall at Rajnagar," created in 1718, is a notable example of the use of opaque watercolor, ink, and gold on paper. This work exemplifies the intricate detail and vibrant color characteristic of Rajput painting, a style that flourished in the Indian subcontinent during the 17th and 18th centuries. The artist, known as the stipple-master, is celebrated for his meticulous technique, which involves the application of small dots to create texture and depth. This painting not only captures a moment of courtly life but also reflects the cultural and social dynamics of the time, particularly the role of women in the zenana, or women's quarters. The inclusion of gold highlights adds a sense of opulence and grandeur, underscoring the status of Maharana Amar Singh II. This work is significant for its artistic mastery and as a historical document of the period's courtly life and aesthetics.
The painting "Maharana Amar Singh II with Ladies of the Zenana outside the Picture Hall at Rajnagar," created in 1718 by an unknown stipple-master, employs opaque watercolor, ink, and gold on paper to depict a regal scene from the Mewar court. This work exemplifies the intricate detail and vibrant color characteristic of Rajasthani miniature painting, capturing a moment of courtly life with precision and elegance.
