Maharana Amar Singh II with Ladies of the Zenana outside the Picture Hall at Rajnagar

"Maharana Amar Singh II with Ladies of the Zenana outside the Picture Hall at Rajnagar" is a painting attributed to the Stipple Master, created around 1707–8. The work depicts Maharana Amar Singh II, the ruler of Mewar, alongside women from the zenana, or women's quarters, highlighting the social and cultural dynamics of the time. The setting is identified as the Picture Hall at Rajnagar, which served as a space for artistic and cultural gatherings. The painting exemplifies the intricate detail and vibrant colors characteristic of Rajput miniature art. The Stipple Master is known for employing a stippling technique that creates a textured effect, enhancing the visual richness of the composition. The identities of the women portrayed remain largely unknown, reflecting the historical context of women's roles in royal households. This artwork is significant for its representation of royal life and the interplay between gender and power in 18th-century India. The painting is part of a broader tradition of Rajput art that emphasizes both individual and collective identity within the royal court.

"Maharana Amar Singh II with Ladies of the Zenana outside the Picture Hall at Rajnagar" is a painting attributed to the Stipple Master, created around 1707–8. The work employs opaque watercolor, ink, and gold on paper, showcasing a vibrant color palette. The composition features Maharana Amar Singh II, depicted in a regal posture, surrounded by elegantly dressed ladies of the zenana. The figures are rendered with intricate detailing, highlighting their ornate garments and jewelry. The background presents the Picture Hall at Rajnagar, characterized by architectural elements typical of the period. Gold accents enhance the richness of the scene, contributing to the overall opulence. The painting reflects the cultural and social dynamics of the time, emphasizing the significance of royal patronage and the role of women in the zenana. The use of space and arrangement of figures creates a sense of intimacy within the royal setting.