Created:
Movement:
1435
Renaissance
key Notes:
Byzantine influence, emotional expression
Share:
ArtHistory.GG social media icon
ArtHistory.GG social media icon
ArtHistory.GG social media icon
ArtHistory.GG social media icon
Dimensions:
Overall, with engaged frame, 21 3/4 x 15 3/4 in. (54.9 x 38.7 cm); painted surface 18 1/2 x 12 1/4 in. (47 x 31.1 cm)
medium:
Tempera and gold on wood
Difficulty:
Expert
New game
story of the work:

"Man of Sorrows" is a painting attributed to Michele Giambono, also known as Michele Giovanni Bono, created around 1430. The work depicts Christ in a moment of sorrow, emphasizing his suffering and humanity. Giambono was active in Venice during the early Renaissance, and his style reflects the influence of both Byzantine and early Italian painting traditions. The painting is characterized by its detailed rendering and emotional intensity, typical of Giambono's oeuvre. The exact provenance of the painting is unknown, and it is currently housed in a private collection. Giambono's contributions to Venetian art are recognized for their role in bridging medieval and Renaissance aesthetics. Further details about the painting's commission or specific historical context remain undocumented.

Description of the work:

"Man of Sorrows" by Michele Giambono, created circa 1430, depicts Christ in a poignant expression of suffering and compassion. The figure of Christ is centrally positioned, rendered with a delicate balance of realism and stylization. His body is shown in a frontal pose, with the wounds from the Crucifixion prominently displayed, emphasizing the theme of redemption through suffering. The use of tempera and gold on wood enhances the luminosity of the figure, creating a striking contrast against the darker background. Giambono employs intricate detailing in the drapery, which flows around Christ's form, adding a sense of movement and depth. The gold leaf accents contribute to the overall sacredness of the work, reflecting the divine nature of the subject. The color palette is characterized by rich reds and deep blues, which evoke a sense of both sorrow and majesty. The composition is framed by a simple architectural element, directing the viewer's focus to the central figure. Overall, the painting exemplifies the early Renaissance approach to religious iconography, merging emotional depth with technical precision.

Artwork Photograph Source:
Metropolitan Museum of Art

Could this content be improved?

Please let us know and we will be happy to correct it. We have put a ton of effort into collating and organizing all of this.
We may follow up with questions.
Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form.
Man of Sorrows