Mary Capel (1630–1715), Later Duchess of Beaufort, and Her Sister Elizabeth (1633–1678), Countess of Carnarvon

"Mary Capel (1630–1715), Later Duchess of Beaufort, and Her Sister Elizabeth (1633–1678), Countess of Carnarvon" is a portrait by Sir Peter Lely, a prominent Dutch-born English painter known for his flattering depictions of the English aristocracy. The exact date of the painting's creation is unknown, but Lely was active during the mid-17th century, particularly in the 1650s and 1660s. The work features the two sisters, highlighting their noble status and familial connection. Lely's style is characterized by a smooth application of paint and a focus on the elegance and beauty of his subjects. The painting reflects the social dynamics of the time, emphasizing the importance of lineage and marriage among the English nobility. Both women were significant figures in their own right, with Mary Capel marrying Henry Somerset, the 1st Duke of Beaufort, and Elizabeth Capel marrying Charles Dormer, the 2nd Earl of Carnarvon. The painting is part of a tradition of portraiture that sought to immortalize the likenesses and virtues of the elite. The current location of the painting is not specified.

"Mary Capel (1630–1715), Later Duchess of Beaufort, and Her Sister Elizabeth (1633–1678), Countess of Carnarvon" by Sir Peter Lely is an oil on canvas painting that features two women in elegant attire. The composition presents the subjects in a three-quarter pose, with Mary Capel on the left and Elizabeth Capel on the right. Both figures are adorned in sumptuous dresses that reflect the fashion of the 17th century, characterized by rich fabrics and intricate detailing. The background is softly rendered, allowing the figures to stand out prominently. Lely's use of light and shadow enhances the textures of the garments and the softness of the skin tones. The expressions of the sitters convey a sense of poise and dignity, typical of Lely's portraiture style. The painting exemplifies the artist's skill in capturing the likeness and character of his subjects while also showcasing their social status through attire and presentation. The overall color palette is warm, with a predominance of golds and soft pastels, contributing to the painting's opulent feel.