Mirror #3 (Six Panels)

"Mirror #3 (Six Panels)" is a work by American artist Roy Lichtenstein, created in 1970. This piece is part of Lichtenstein's exploration of the relationship between art and commercial imagery, utilizing the visual language of comic strips and advertising. The work consists of six panels that reflect Lichtenstein's signature use of bold colors, Ben-Day dots, and stylized forms. It exemplifies his interest in the concept of reflection, both literally and metaphorically, as it engages with themes of perception and representation. The painting is notable for its innovative approach to the medium, merging painting with the aesthetics of consumer culture. Lichtenstein's work often challenges traditional notions of fine art, positioning it within the context of popular culture. "Mirror #3" is representative of his broader oeuvre, which seeks to blur the boundaries between high art and mass media. The exact date of creation is not specified, but it aligns with Lichtenstein's prolific output during the late 1960s and early 1970s. The work is held in various prestigious collections, contributing to its significance in the study of contemporary art.

"Mirror #3 (Six Panels)" by Roy Lichtenstein is a large-scale work composed of two sets of three joined canvases, utilizing Oil and Magna as its primary mediums. The painting features a grid-like arrangement that emphasizes the interplay between color and form, characteristic of Lichtenstein's signature style. Each panel is rendered in bold, flat colors, predominantly utilizing primary hues alongside black and white, which creates a striking visual contrast. The composition incorporates Lichtenstein's hallmark use of Ben-Day dots, enhancing the work's graphic quality and evoking the aesthetics of commercial printing. The imagery within the panels reflects a fragmented perspective, suggesting a dialogue between reflection and abstraction. The overall effect is one of dynamic movement, inviting the viewer to engage with the layered visual elements and their relationship to the concept of mirroring. The work exemplifies Lichtenstein's exploration of popular culture and the intersection of fine art and mass media.