Oil Sketch for "A Sunday on La Grande Jatte — 1884"

Georges Seurat

Created:
Movement:
1884
Pointillism
key Notes:
Pointillism, Leisure Scene
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Dimensions:
15.5 × 24.3 cm (6 1/8 × 9 9/16 in.); Framed: 25.4 × 35.6 cm (10 × 14 in.)
medium:
Oil on panel
Difficulty:
Easy
New game
story of the work:

"Ole Sketch for 'A Sunday on La Grande Jatte — 1884'" is a preparatory work by Georges Seurat, created in 1884. This oil sketch served as a study for his larger, more famous painting "A Sunday on La Grande Jatte," which was completed in 1886. The sketch captures the essence of the final composition, showcasing Seurat's innovative use of pointillism, a technique he developed that involves applying small dots of color to create a cohesive image. The painting depicts a leisurely scene on the banks of the Seine River, featuring various figures engaged in recreational activities. Seurat's work reflects the social dynamics of Parisian life during the late 19th century, emphasizing the contrast between urbanization and leisure. The oil sketch is significant for its insight into Seurat's artistic process and his exploration of color theory and light. It is housed in the collection of the Art Institute of Chicago, which also holds the final version of "A Sunday on La Grande Jatte."

Description of the work:

The painting "Oil Sketch for 'A Sunday on La Grande Jatte — 1884'" by Georges Seurat is an oil on panel work that serves as a preparatory study for his larger masterpiece. The composition features a vibrant array of figures engaged in leisure activities along the banks of the Seine River, characterized by Seurat's signature pointillist technique. The color palette is composed of bright, contrasting hues, which create a sense of light and atmosphere. The figures are depicted with a sense of solidity and volume, achieved through the careful application of color and form. The arrangement of the figures and the surrounding landscape reflects a structured yet dynamic composition, emphasizing the social interactions of the time. The brushwork is distinct, with visible strokes that contribute to the overall texture of the piece. The sketch captures the essence of the scene while allowing for the exploration of color relationships and spatial organization that would be further developed in the final painting.

Artwork Photograph Source:
Art Institute of Chicago

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Oil Sketch for "A Sunday on La Grande Jatte — 1884"