Panorama from the Sasso

Claude Lorrain

Created:
Movement:
1649/1655
Baroque
key Notes:
Pastoral landscape; Luminous atmosphere.
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Dimensions:
16.2 × 40.2 cm (6 7/16 × 15 7/8 in.)
medium:
Pen and brown ink with brush and brown wash, heightened with white gouache and traces of white chalk, over black chalk and graphite, on cream laid paper
story of the work:

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Claude Lorrain's "Panorama from the Sasso" (1649/1655)

Claude Lorrain, a prominent figure in the Baroque period, is renowned for his mastery in landscape painting, and "Panorama from the Sasso" exemplifies his skill in capturing the serene beauty of nature. Created using a combination of pen and brown ink, brown wash, white gouache, and chalk, this work demonstrates Lorrain's adeptness in blending various media to achieve depth and luminosity. The use of cream laid paper as a foundation enhances the subtle interplay of light and shadow, a hallmark of Lorrain's technique. This piece reflects Lorrain's influence on the development of landscape painting, inspiring subsequent generations of artists to explore the genre with a similar emphasis on atmospheric effects. Lorrain's work is significant not only for its aesthetic qualities but also for its role in elevating landscape painting to a respected art form during the 17th century. His ability to convey the grandeur of nature with such precision and emotion continues to be celebrated in art historical discourse.

Description of the work:

Panorama from the Sasso by Claude Lorrain

Created between 1649 and 1655, Claude Lorrain's "Panorama from the Sasso" exemplifies the artist's mastery in landscape depiction, utilizing pen and brown ink with brush and brown wash, heightened with white gouache and traces of white chalk, over black chalk and graphite on cream laid paper. The artwork reflects Lorrain's characteristic style of idealized natural scenery, capturing the serene beauty of the Italian countryside.

Artwork Photograph Source:
Art Institute of Chicago

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Panorama from the Sasso