Plate 49 from Plan of Chicago 1909: Chicago. View of the City from Jackson Park to Grant Park, Looking Towards the West

Daniel Hudson Burnham

Created:
Movement:
1907
None
key Notes:
Urban Visionary, Architectural Planning
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Dimensions:
103.5 × 480 cm (40 3/4 × 189 in.)
medium:
Watercolor with graphite on cream wove paper, discolored to tan, laid down on canvas
story of the work:

"Plate 49 from Plan of Chicago 1909" is a significant visual representation associated with the comprehensive urban planning initiative known as the Burnham Plan, which aimed to enhance the city of Chicago's infrastructure and aesthetic appeal. The work was created by Daniel Hudson Burnham and Edward Herbert Bennett, with delineation by Jules Guerin, who was known for his skill in rendering architectural and urban designs. This particular plate illustrates a proposed view of the city from Jackson Park to Grant Park, emphasizing the envisioned transformation of the waterfront into a series of parks and lagoons. The design includes an enlarged yacht harbor and recreational piers, reflecting the early 20th-century movement towards urban beautification and public space development. The Plan of Chicago was commissioned by the Commercial Club of Chicago and was pivotal in shaping the city's landscape, influencing urban planning practices across the United States. The artwork serves not only as a proposal but also as a historical document that encapsulates the aspirations for urban renewal during that period.

Description of the work:

"Plate 49 from Plan of Chicago 1909" presents a detailed watercolor rendering depicting a panoramic view of the cityscape from Jackson Park to Grant Park. The composition is characterized by a harmonious arrangement of architectural elements, waterways, and green spaces, illustrating the proposed urban design. The foreground features a series of lagoons and a yacht harbor, rendered with fluid brushstrokes that suggest movement and vitality. The delineation of recreational piers is executed with precision, emphasizing their integration into the landscape. The background showcases the skyline of Chicago, with buildings rendered in a stylized manner that conveys both grandeur and coherence. The use of color is predominantly soft, with a palette that includes muted greens, blues, and earth tones, contributing to an overall sense of tranquility. The discolored tan of the paper adds a historical patina, enhancing the work's archival quality. The graphite lines provide structural clarity, delineating the various elements of the proposed plan while maintaining a fluidity that complements the watercolor application. The layout reflects a vision of urban harmony, where natural and built environments coexist.

Artwork Photograph Source:
Art Institute of Chicago

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Plate 49 from Plan of Chicago 1909: Chicago. View of the City from Jackson Park to Grant Park, Looking Towards the West