Portrait of a Lady (possibly Tryntje Otten Veeder)

Schuyler Limner

Created:
Movement:
1725
None
key Notes:
Colonial American portraiture, Distinctive folk style
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Dimensions:
28 x 24 1/2 in. (71.1 x 62.2 cm)
medium:
Oil on canvas
Difficulty:
Expert
New game
story of the work:

"Portrait of a Lady (possibly Tryntje Otten Veeder)" is an oil on canvas painting attributed to the artist known as Schuyler Limner, created between 1720 and 1725. The identity of the sitter is uncertain, but she is speculated to be Tryntje Otten Veeder, a member of a prominent Albany family. Schuyler Limner is recognized for his contributions to early American portraiture, particularly in the Dutch colonial context. The painting exemplifies the artist's style, characterized by a focus on detailed facial features and elaborate clothing. The work reflects the social status and cultural values of the time, emphasizing the importance of portraiture in asserting identity and lineage. The painting is part of the collection at the Albany Institute of History & Art. Further details about the artist's life and career remain largely unknown.

Description of the work:

"Portrait of a Lady (possibly Tryntje Otten Veeder)" by Schuyler Limner, created between 1720 and 1725, is an oil on canvas painting that exemplifies the portraiture style of early 18th-century America. The subject is depicted in a three-quarter pose, with a direct gaze that engages the viewer. She is dressed in a dark gown adorned with intricate lace at the collar and cuffs, which contrasts with the lighter tones of her skin. The background is rendered in a muted palette, allowing the figure to stand out prominently. The use of light and shadow creates a sense of depth and volume, enhancing the realism of the subject's features. The artist's brushwork is meticulous, particularly in the detailing of the fabric and the lace, showcasing the skillful rendering of textures. The composition is balanced, with the figure centrally placed, drawing attention to her expression and attire. The painting reflects the social status and refinement of the subject, indicative of the period's portrait conventions.

Artwork Photograph Source:
Metropolitan Museum of Art

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Portrait of a Lady (possibly Tryntje Otten Veeder)