Portrait of a Man (Sir Ralph Sadler?)

Hans Holbein the Younger

Created:
Movement:
1535
Renaissance
key Notes:
Renaissance portraiture; detailed realism
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Dimensions:
Diameter 12 in. (30.5 cm)
medium:
Oil and gold on oak
story of the work:

"Portrait of a Man (Sir Ralph Sadler?)" is an oil on panel painting attributed to Hans Holbein the Younger, created around 1535. The identity of the sitter is uncertain, with some scholars suggesting he may be Sir Ralph Sadler, a diplomat and courtier in the service of King Henry VIII. The painting exemplifies Holbein's skill in capturing the likeness and character of his subjects, characterized by meticulous detail and a strong sense of realism. The work reflects the artist's ability to convey both the physical appearance and the social status of the sitter through attire and pose. Holbein was active in England during the Tudor period, where he became the court painter and produced numerous portraits of prominent figures. The painting is currently housed in the collection of the National Gallery of Art in Washington, D.C. The provenance of the work prior to its acquisition by the gallery is not extensively documented.

Description of the work:

"Portrait of a Man (Sir Ralph Sadler?)" by Hans Holbein the Younger, created in 1535, features a male figure depicted in three-quarter view. The subject is dressed in dark, richly textured clothing, which contrasts with the lighter background. The use of oil and gold on oak enhances the luminosity of the figure's skin tone and the intricate details of the attire. Holbein's meticulous attention to detail is evident in the rendering of the facial features, particularly the eyes, which convey a sense of introspection. The composition is characterized by a balanced arrangement, with the figure occupying a central position against a neutral backdrop. The painting exemplifies Holbein's skill in capturing the individuality and character of his subjects through precise brushwork and a sophisticated use of color. The presence of gold accents adds a sense of opulence to the work, highlighting the status of the portrayed individual. The identity of the sitter remains uncertain, with some attributing it to Sir Ralph Sadler, though this is not definitively established.

Artwork Photograph Source:
Metropolitan Museum of Art

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Portrait of a Man (Sir Ralph Sadler?)