Portrait of a Woman (Marianna Panciatichi, marchesa Paolucci delle Roncole, 1835–1919, or her sister-in-law, Beatrice Ferrari-Corbelli di Reggio, contessa di Lucciano)

"Portrait of a Woman" by Michele Gordigiani, created in 1864, depicts either Marianna Panciatichi, marchesa Paolucci delle Roncole, or her sister-in-law, Beatrice Ferrari-Corbelli di Reggio, contessa di Lucciano. Gordigiani was known for his portraiture, capturing the likeness and character of his subjects with a focus on detail and realism. The identity of the sitter remains a subject of debate among art historians, with both women being prominent figures in Italian society during the 19th century. The painting exemplifies Gordigiani's skill in rendering fabric textures and the play of light, contributing to the sitter's dignified presence. The work is part of a broader tradition of portrait painting in Italy, reflecting social status and familial connections. The exact provenance of the painting prior to its current location is unknown.

Michele Gordigiani's "Portrait of a Woman" (1864) is an oil on canvas work that exemplifies the artist's skill in capturing the nuances of character and attire. The composition features a seated woman, whose elegant posture and direct gaze engage the viewer. She is adorned in a richly detailed dress, characterized by intricate patterns and textures that reflect the fashion of the period. The color palette is dominated by deep, warm tones, enhancing the subject's presence and the overall sense of intimacy. The background is rendered in softer hues, allowing the figure to stand out prominently. Gordigiani's brushwork demonstrates a meticulous attention to detail, particularly in the depiction of the woman's facial features and the delicate play of light across her skin. The painting conveys a sense of dignity and grace, characteristic of Gordigiani's portraiture.