Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille

Jacometto (Jacometto Veneziano)

Created:
Movement:
1500
Renaissance
key Notes:
Renaissance Portraiture; Grisaille Technique
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Dimensions:
Overall 4 x 2 7/8 in. (10.2 x 7.3 cm); recto and verso, painted surface 3 3/4 x 2 1/2 in. (9.5 x 6.4 cm)
medium:
Oil on wood; (verso: oil and gold on wood)
Difficulty:
Expert
New game
story of the work:

"Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille" is a painting attributed to Jacometto Veneziano, an Italian artist active during the late 15th century. The work is believed to have been created between 1485 and 1495. The portrait depicts a woman, speculated to be a nun from the convent of San Secondo, although her identity remains uncertain. The reverse of the painting features a grisaille scene, a technique that employs shades of gray to mimic sculpture. Jacometto is known for his detailed and expressive portraits, which reflect the influence of Venetian Renaissance art. The painting is characterized by its rich color palette and intricate details, typical of Jacometto's style. The work is currently housed in a private collection, and its provenance prior to this remains unknown.

Description of the work:

"Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille" by Jacometto Veneziano is a notable example of late 15th-century Venetian portraiture. The painting features a woman depicted in a three-quarter pose, characterized by her serene expression and modest attire, which suggests a religious affiliation. The use of oil on wood allows for a rich color palette and detailed texture, enhancing the lifelike quality of the subject. The woman's face is framed by a dark veil, contrasting with the lighter tones of her garment, which is adorned with intricate patterns. The background is rendered in a muted tone, directing focus to the figure. On the verso, a grisaille scene is presented, executed in shades of gray and gold, showcasing a different stylistic approach that complements the primary portrait. The overall composition reflects the artist's skill in blending realism with a sense of spiritual presence. The dimensions and specific details of the grisaille scene remain unspecified.

Artwork Photograph Source:
Metropolitan Museum of Art

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Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille