Portrait of a Woman, Probably Susanna Lunden (Susanna Fourment, 1599–1628)
Peter Paul Rubens
"Portrait of a Woman, Probably Susanna Lunden (Susanna Fourment, 1599–1628)" is an oil painting by the Flemish Baroque artist Peter Paul Rubens, created around 1625–27. The subject of the portrait is believed to be Susanna Lunden, who was the sister of Rubens' second wife, Helena Fourment. The painting exemplifies Rubens' mastery of color, texture, and the depiction of the female form. It is characterized by its vibrant palette and dynamic composition, typical of Rubens' style during this period. The identity of the sitter has been debated among scholars, but the attribution to Susanna Lunden remains widely accepted. The work is part of the collection at the Museo del Prado in Madrid. The painting reflects the artist's interest in portraying intimate and personal subjects, as well as his connections to the Fourment family. Further details about the painting's provenance and exhibition history are not extensively documented.
"Portrait of a Woman, Probably Susanna Lunden" by Peter Paul Rubens, created circa 1625–27, is an oil on wood painting that exemplifies the artist's mastery of portraiture. The subject is depicted in a three-quarter pose, her gaze directed towards the viewer, which creates an engaging connection. She is adorned in a richly textured garment, characterized by deep colors and intricate details that reflect the fashion of the early 17th century. The use of light and shadow enhances the volume of her figure, while the soft modeling of her face conveys a sense of warmth and vitality. The background is rendered in a muted palette, allowing the figure to stand out prominently. The composition is balanced, with the subject's head and shoulders occupying a central position, framed by the flowing lines of her attire. Rubens' brushwork is fluid and dynamic, contributing to the overall sense of movement within the portrait. The painting is notable for its psychological depth, capturing both the beauty and the individuality of the sitter.