Portrait of a Woman, Said to Be Emily Bertie Pott (died 1782)

"Portrait of a Woman, Said to Be Emily Bertie Pott (died 1782)" is a painting by the British artist George Romney, created in 1781. The work is notable for its depiction of a woman whose identity is traditionally associated with Emily Bertie Pott, although this attribution remains uncertain. Romney was known for his portraits that captured the elegance and character of his subjects, often employing a soft color palette and fluid brushwork. The painting exemplifies the artist's skill in rendering fabric and texture, particularly in the woman's attire. The composition reflects the neoclassical influences prevalent in British portraiture during the late 18th century. The provenance of the painting is not extensively documented, and its exhibition history includes various displays in British art institutions. The current location of the painting is also not specified in available records.

"Portrait of a Woman, Said to Be Emily Bertie Pott (died 1782)" by George Romney, created in 1781, is an oil on canvas painting that features a woman depicted in a three-quarter pose. The subject is dressed in a white gown with delicate drapery, which contrasts with her dark hair styled in loose curls. The background is rendered in soft, muted tones that enhance the luminosity of the figure. Romney's use of light and shadow creates a sense of depth and volume, particularly in the portrayal of the woman's face and hands. The expression is serene, conveying a sense of grace and dignity. The composition is balanced, with the figure positioned slightly off-center, drawing the viewer's eye to her gaze. The painting exemplifies Romney's skill in capturing the subtleties of human emotion and the elegance of his subjects.