Portrait of Jean Gros (recto); Coat of Arms of Jean Gros (verso)

"Portrait of Jean Gros (recto); Coat of Arms of Jean Gros (verso)" is attributed to the workshop of Rogier van der Weyden, a prominent Netherlandish painter of the Northern Renaissance. The painting features a portrait of Jean Gros, a notable figure of the time, depicted in a three-quarter view, which was a common compositional choice in portraiture of the period. The verso of the painting displays the coat of arms of Jean Gros, indicating his noble status and lineage. The use of oil on wood as a medium reflects the advancements in painting techniques during the 15th century. The work exemplifies the detailed realism and emotional depth characteristic of van der Weyden's style, emphasizing the sitter's individuality and social standing. The exact date of creation remains unknown, but it is believed to have been produced in the mid-15th century, aligning with van der Weyden's active years. The dual nature of the painting, serving both as a portrait and a heraldic display, underscores the importance of identity and status in the context of Renaissance society.

"Portrait of Jean Gros (recto); Coat of Arms of Jean Gros (verso)" is a dual-sided painting attributed to the workshop of Rogier van der Weyden. The recto features a detailed portrait of Jean Gros, characterized by a three-quarter view that emphasizes the sitter's dignified expression and finely rendered facial features. The use of oil on panel allows for a rich palette and subtle gradations of light and shadow, enhancing the realism of the figure. Gros is depicted wearing a dark, elaborately textured garment, which is complemented by a delicate collar that frames his face. The background is a muted tone that serves to focus attention on the subject. The verso presents the coat of arms of Jean Gros, rendered with precision and clarity, featuring heraldic elements that signify his lineage and status. The coat of arms is executed in vibrant colors, contrasting with the more subdued tones of the portrait side. The overall composition reflects the meticulous attention to detail characteristic of van der Weyden's workshop, showcasing both the individual and the symbolic representation of nobility.