Predella panel with Saint Martial, Saint Sebastian, and Saint Mary Magdalen from Retable

"Predella panel with Saint Martial, Saint Sebastian, and Saint Mary Magdalen from Retable" is a work attributed to the Spanish painter Domingo Ram, created in the 15th century. The painting is part of a predella, which is a lowermost section of an altarpiece, typically depicting scenes or figures related to the main subjects above. The panel features three saints: Saint Martial, a prominent figure in the Christian tradition known for his missionary work; Saint Sebastian, often depicted as a martyr; and Saint Mary Magdalen, recognized for her role in the New Testament. The work reflects the stylistic characteristics of late Gothic art, with an emphasis on detailed figures and vibrant colors. Domingo Ram is known for his contributions to religious art in Spain during this period, although specific biographical details about him remain largely unknown. The painting is significant for its representation of the devotional practices of the time and its role within the larger context of altarpiece design in medieval Spain. The current location of the panel is not specified in the available literature.

"Predella panel with Saint Martial, Saint Sebastian, and Saint Mary Magdalen from Retable" by Domingo Ram is a 15th-century artwork executed in tempera on wood with a gold ground. The panel features three saints: Saint Martial, Saint Sebastian, and Saint Mary Magdalen, each depicted in a distinct pose and attire. The figures are rendered with a clear delineation of form, showcasing Ram's skill in creating depth and volume through the use of color and light. The gold ground enhances the luminosity of the figures, creating a sense of divine presence. The composition is organized in a balanced manner, with each saint occupying a designated space that contributes to the overall harmony of the panel. The use of intricate details in the garments and facial expressions reflects the artist's attention to the spiritual significance of the subjects. The panel is framed by a simple architectural element that provides context without detracting from the central figures. The work exemplifies the stylistic characteristics of late Gothic art, emphasizing both religious devotion and artistic craftsmanship.