Reclining Woman

Fernand Léger

Created:
Movement:
1922
Cubism
key Notes:
Cubist abstraction, Geometric forms
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Dimensions:
64.5 × 92 cm (25 1/2 × 36 1/4 in.)
medium:
Oil on canvas
story of the work:

"Reclining Woman" is a notable work by French painter Fernand Léger, who was a prominent figure in the development of modern art, particularly within the Cubist movement. The painting exemplifies Léger's distinctive style, characterized by bold colors, geometric forms, and a focus on the human figure. Created during the early to mid-20th century, the work reflects Léger's interest in the interplay between abstraction and representation. The depiction of the reclining female figure is a recurring theme in Léger's oeuvre, often symbolizing both sensuality and the modern experience. Léger's approach to the subject matter emphasizes the structural qualities of the body, integrating elements of both Cubism and his own unique visual language. The painting is significant within the context of Léger's exploration of modernity and the role of women in contemporary society. The exact date of creation remains unspecified, but it aligns with Léger's active period during the 1920s and 1930s, when he was refining his artistic vocabulary. "Reclining Woman" is part of a broader dialogue within modern art regarding the representation of the female form and the abstraction of reality.

Description of the work:

"Reclining Woman" by Fernand Léger features a stylized representation of the female form, characterized by bold, geometric shapes and a vibrant color palette. The composition is dominated by a reclining figure, rendered in a flattened perspective that emphasizes the interplay of form and color. Léger employs a combination of primary colors, particularly yellow, blue, and red, alongside black outlines that delineate the figure and create a sense of depth. The background is abstract, enhancing the focus on the figure while contributing to the overall dynamism of the work. The use of simplified forms and a rhythmic arrangement of shapes reflects Léger's interest in modernity and the integration of the human figure within a constructed environment. The painting exemplifies Léger's distinctive approach to cubism, merging elements of abstraction with a celebration of the human body.

Artwork Photograph Source:
Art Institute of Chicago

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Reclining Woman