Created:
Movement:
1770
None
key Notes:
Judicial Attire, Eighteenth-Century Portraiture
Share:
ArtHistory.GG social media icon
ArtHistory.GG social media icon
ArtHistory.GG social media icon
ArtHistory.GG social media icon
Dimensions:
40 x 50 in. (101.6 x 127 cm)
medium:
Oil on canvas
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

John Singleton Copley: "Richard Dana" (1770)

The painting "Richard Dana" by John Singleton Copley, executed in 1770, is a notable example of Copley's skill in portraiture, utilizing oil on canvas to capture the likeness and character of his subject. Copley, an American artist renowned for his detailed and realistic portraits, played a significant role in the development of American art during the colonial period. His work is characterized by meticulous attention to detail and a keen ability to convey the social status and personality of his sitters. "Richard Dana" exemplifies Copley's adeptness at rendering textures and fabrics, which was a hallmark of his style. This painting contributes to the understanding of American colonial society and its prominent figures, as Copley often depicted influential individuals of his time. Copley's portraits remain significant for their historical value, providing insight into the cultural and social milieu of 18th-century America.

Description of the work:

Richard Dana by John Singleton Copley

John Singleton Copley's 1770 oil on canvas portrait "Richard Dana" exemplifies the artist's meticulous attention to detail and mastery of the American colonial portrait style. The painting, which captures the likeness of the prominent lawyer Richard Dana, is housed in the Museum of Fine Arts, Boston.

Artwork Photograph Source:
Metropolitan Museum of Art

Could this content be improved?

Please let us know and we will be happy to correct it.
We may follow up with questions.
Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form.
Richard Dana