Saint Anne and the Virgin and Child Enthroned with Angels

Saint Anne and the Virgin and Child Enthroned with Angels

Artist: Niccolò Alunno (Niccolò di Liberatore)

Year: 1464

Medium: Tempera and gold on wood

Artistic and Historical Context

The painting "Saint Anne and the Virgin and Child Enthroned with Angels" exemplifies the intricate use of tempera and gold, characteristic of 15th-century Italian religious art. Niccolò Alunno, known for his detailed and expressive figures, was a prominent painter in the Umbrian school, contributing significantly to the development of Renaissance art in the region. This work reflects the devotional themes prevalent during the period, emphasizing the sanctity and divine nature of the holy figures depicted. Alunno's ability to convey emotion and spirituality through his compositions had a lasting influence on his contemporaries and successors. The use of gold leaf in the painting not only enhances its visual splendor but also underscores the sacred subject matter, aligning with the religious and cultural values of the time.

Saint Anne and the Virgin and Child Enthroned with Angels

Niccolò Alunno (Niccolò di Liberatore) created "Saint Anne and the Virgin and Child Enthroned with Angels" in 1464 using tempera and gold on wood, a common medium for Italian Renaissance altarpieces. The painting exemplifies the period's stylistic emphasis on religious iconography and intricate detailing, with its depiction of sacred figures surrounded by celestial beings.