Saint John the Evangelist with Acteus and Eugenius

"Saint John the Evangelist with Acteus and Eugenius" is a painting attributed to Francescuccio Ghissi, also known as Francesco di Cecco Ghissi, created around 1370. The work is notable for its depiction of Saint John the Evangelist alongside the figures of Acteus and Eugenius, who are lesser-known saints. Ghissi was active in the late 14th century and is recognized for his contributions to the Sienese school of painting. The painting exemplifies the Gothic style prevalent during this period, characterized by its intricate details and vibrant colors. The exact provenance of the work is not well-documented, and its current location is also unknown. Ghissi's oeuvre reflects a blend of Byzantine influences and emerging Renaissance elements, marking a transitional phase in Italian art. The painting is significant for its iconography and the representation of saints, which was a common theme in medieval religious art. Further scholarly research may provide additional insights into the context and significance of this work within Ghissi's body of art.

"Saint John the Evangelist with Acteus and Eugenius" by Francescuccio Ghissi is a tempera on wood painting created around 1370. The composition features Saint John the Evangelist, depicted in a frontal pose, adorned in rich, flowing robes that exhibit intricate detailing. The background is characterized by a gold ground, which enhances the luminosity of the figures and emphasizes their spiritual significance. Acteus and Eugenius are presented alongside Saint John, each rendered with distinct facial expressions and gestures that convey their individual narratives. The use of vibrant colors and meticulous line work showcases Ghissi's skill in creating depth and texture. The overall arrangement of the figures is balanced, drawing the viewer's eye towards the central saint while maintaining a harmonious relationship among the three figures. The painting exemplifies the Gothic style, with its emphasis on elongated forms and decorative elements. The work reflects the religious themes prevalent in 14th-century Italian art, serving as a visual testament to the era's iconography and artistic practices.