Saint Mary Magdalen

Bartolo di Fredi

Created:
Movement:
1370
Gothic art
key Notes:
Gothic elegance, Devotional intensity
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Dimensions:
Overall, with original side and bottom moldings, 17 x 10 3/4 in. (43.2 x 27.3 cm); painted surface 15 5/8 x 8 3/8 in. (39.7 x 21.3 cm)
medium:
Tempera on wood, gold ground
Difficulty:
Expert
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story of the work:

"Saint Mary Magdalen" is a painting attributed to Bartolo di Fredi, an Italian painter active in Siena during the mid-14th century. The work reflects the Gothic style prevalent in Sienese art of the period, characterized by its use of vibrant colors and intricate details. The painting depicts Saint Mary Magdalen, a prominent figure in Christian tradition, often associated with repentance and devotion. Bartolo di Fredi's approach to the subject emphasizes emotional expression and spiritual depth. The exact date of creation is not definitively known, but it is generally placed within the 1350s. The painting is housed in a private collection, and its provenance prior to this is largely undocumented. Bartolo di Fredi's oeuvre includes altarpieces and panel paintings, contributing to the development of Sienese painting in the late medieval period. Further scholarly research may provide additional insights into the context and significance of this work.

Description of the work:

"Saint Mary Magdalen" by Bartolo di Fredi is a tempera on wood painting created in the mid-14th century. The work features a gold ground, typical of the period, which enhances the spiritual quality of the composition. Mary Magdalen is depicted in a frontal pose, characterized by her elongated figure and serene expression. She is adorned in rich, vibrant robes that contrast with the luminous gold background. The artist employs intricate detailing in the drapery, showcasing a mastery of texture and form. Her hair is long and flowing, adding to the sense of gracefulness. The use of light and shadow is subtle, contributing to the overall sense of depth. The painting reflects the iconographic elements associated with Mary Magdalen, including her attributes, though specific details of these elements are not elaborated upon in the work. The overall composition is balanced and harmonious, embodying the aesthetic principles of the Sienese school during this period.

Artwork Photograph Source:
Metropolitan Museum of Art

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Saint Mary Magdalen