Saint Rosalie Interceding for the Plague-stricken of Palermo
Anthony van Dyck
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Saint Rosalie Interceding for the Plague-stricken of Palermo
Saint Rosalie Interceding for the Plague-stricken of Palermo is a significant work by Anthony van Dyck, created in 1624 using oil on canvas. This painting was produced during van Dyck's stay in Palermo, Sicily, amidst a devastating outbreak of the plague. The artwork depicts Saint Rosalie, the patron saint of Palermo, in a celestial setting, appealing to divine intervention on behalf of the afflicted city. Van Dyck's use of dramatic lighting and expressive figures exemplifies the Baroque style, emphasizing emotional intensity and movement. This painting not only reflects van Dyck's mastery of portraiture and religious themes but also serves as a historical document of the period's challenges. Anthony van Dyck, a prominent Flemish Baroque artist, was renowned for his portraits and served as the leading court painter in England under King Charles I.
Saint Rosalie Interceding for the Plague-stricken of Palermo
Painted by Anthony van Dyck in 1624, "Saint Rosalie Interceding for the Plague-stricken of Palermo" is an oil on canvas work that exemplifies the Baroque style through its dramatic use of light and expressive composition. The painting depicts Saint Rosalie, the patron saint of Palermo, appealing to the heavens on behalf of the city during a devastating plague, and it is housed in the Metropolitan Museum of Art in New York.
