Saints John the Evangelist and Mary Magdalene

Italian, Neapolitan Follower of Giotto

Created:
Movement:
1340
Gothic art
key Notes:
Gothic religious iconography, Emotional expressiveness
Share:
ArtHistory.GG social media icon
ArtHistory.GG social media icon
ArtHistory.GG social media icon
ArtHistory.GG social media icon
Dimensions:
23 x 15 5/8 in. (58.4 x 39.7 cm)
medium:
Tempera on wood, gold ground
Difficulty:
Expert
New game
story of the work:

"Saints John the Evangelist and Mary Magdalene" is a painting attributed to an unknown Italian, Neapolitan follower of Giotto, created circa 1335–45. The work reflects the stylistic influences of Giotto's innovative approach to naturalism and emotional expression. The composition features the two saints, often depicted in a devotional context, emphasizing their significance in Christian iconography. The painting is characterized by its use of vibrant colors and a clear delineation of forms, typical of the early Renaissance period in Italy. The exact provenance of the painting is unknown, as is the identity of the artist. It is currently housed in a private collection or museum, though specific details regarding its exhibition history may not be documented. The work contributes to the understanding of the transition from medieval to Renaissance art in Naples.

Description of the work:

"Saints John the Evangelist and Mary Magdalene" is a tempera on wood painting featuring a gold ground, characteristic of the period. The composition presents the two saints in a frontal arrangement, emphasizing their spiritual significance. John the Evangelist is depicted with a book, symbolizing his role as a writer of the Gospel, while Mary Magdalene is often represented with a jar, alluding to her biblical narrative. The figures are rendered with elongated proportions and a serene expression, typical of the Gothic style influenced by Giotto. The use of gold leaf enhances the luminosity of the work, creating a divine atmosphere. The color palette is composed of rich, saturated hues, contributing to the overall visual impact. The background is uniformly gold, which serves to elevate the figures and focus the viewer's attention on their forms and attributes. The painting exemplifies the transition from Byzantine to more naturalistic representations in early Italian art.

Artwork Photograph Source:
Metropolitan Museum of Art

Could this content be improved?

Please let us know and we will be happy to correct it. We have put a ton of effort into collating and organizing all of this.
We may follow up with questions.
Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form.
Saints John the Evangelist and Mary Magdalene