Seated Female Nude

Rembrandt van Rijn

Created:
Movement:
1660/62
Baroque
key Notes:
Chiaroscuro, Intimate Realism
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Dimensions:
Primary/secondary supports: 21.2 × 17.5 cm (8 3/8 × 6 15/16 in.)
medium:
Pen and brown ink and brush and brown wash, with subtractive highlights (scraping) and touches of opaque white watercolor corrections, on ivory laid paper, laid down on cream laid card
Difficulty:
Expert
New game
story of the work:

"Seated Female Nude" is a work attributed to Rembrandt van Rijn, a prominent Dutch painter of the 17th century known for his mastery of light and shadow. The painting depicts a female figure in a seated position, characterized by a naturalistic representation of the human form. The date of creation remains uncertain, but it is generally placed within the artist's oeuvre during the mid-17th century, a period marked by his exploration of the human figure and intimate portrayals. The work exemplifies Rembrandt's interest in the human condition and his ability to convey emotion through posture and expression. The use of chiaroscuro is evident, highlighting the contours of the body and creating a sense of depth. This painting reflects the broader context of Dutch art during the Golden Age, where the nude figure was often explored in both academic and intimate settings. The provenance and exhibition history of "Seated Female Nude" are less documented compared to other works by Rembrandt, contributing to ongoing discussions regarding its attribution and significance within his body of work.

Description of the work:

"Seated Female Nude" by Rembrandt van Rijn is characterized by its fluid line work and dynamic composition. The figure is depicted in a relaxed pose, with the body rendered in a naturalistic manner that emphasizes anatomical accuracy. The use of pen and brown ink creates a delicate outline, while the application of brown wash adds depth and tonal variation to the figure. Subtractive highlights achieved through scraping enhance the three-dimensionality of the form, particularly in areas such as the shoulders and thighs. Touches of opaque white watercolor corrections provide additional contrast and detail, particularly in the depiction of light on the skin. The work is executed on ivory laid paper, which is laid down on cream laid card, contributing to its overall presentation and visual impact. The interplay of line, wash, and highlights demonstrates Rembrandt's mastery of technique and his ability to convey the subtleties of human form and light.

Artwork Photograph Source:
Art Institute of Chicago

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Seated Female Nude