"Sketches of the Ten Kings of Hell (Jūō zu)" by Kano Tan'yū, created in the early Edo period, serves as a visual representation of the Buddhist concept of the Ten Kings who judge the souls of the deceased. This work exemplifies Tan'yū's mastery of ink painting and reflects the broader cultural engagement with Buddhist themes in Japanese art during this period, influencing subsequent representations of hell and judgment in both religious and secular contexts.
"Sketches of the Ten Kings of Hell (Jūō zu)" by Kano Tan'yū is a series of ink and color on paper paintings that depict the ten judges of the underworld in traditional Japanese Buddhist iconography. The work is characterized by its dynamic compositions, intricate detailing, and the use of vibrant colors, which effectively convey the distinct personalities and attributes of each king, set against a richly textured background.