Study for Aspects of Negro Life: The Negro in an African Setting
Aaron Douglas
We have not been able to find much information about this work, or we believe the information we sourced needed more review.
Aaron Douglas: "Study for Aspects of Negro Life: The Negro in an African Setting" (1934)
Aaron Douglas, a pivotal figure in the Harlem Renaissance, created "Study for Aspects of Negro Life: The Negro in an African Setting" in 1934 using gouache with touches of graphite on illustration board. This work is part of a series commissioned by the Works Progress Administration, reflecting Douglas's commitment to portraying African American history and culture. The painting is notable for its use of silhouetted figures and concentric circles, a signature style that Douglas employed to convey a sense of rhythm and movement. Through this piece, Douglas explores themes of African heritage and identity, contributing to a broader narrative of African American empowerment during the early 20th century. His work not only celebrates African roots but also serves as a visual commentary on the African American experience, making a significant impact on both art and cultural history. Douglas's innovative approach and thematic focus have cemented his legacy as a leading artist of his time, influencing generations of artists who followed.
Study for Aspects of Negro Life: The Negro in an African Setting
Created in 1934 by Aaron Douglas, this artwork employs gouache with touches of graphite on illustration board, showcasing the artist's signature style characterized by bold silhouettes and concentric circles. The painting is part of a series that explores African American history and culture, reflecting Douglas's role in the Harlem Renaissance and his focus on African heritage.
