The Annunciation; The Nativity; The Lamentation over the Dead Christ

Master of the Orcagnesque Misericordia

Created:
Movement:
unknown
Gothic art
key Notes:
Religious iconography, Emotional intensity.
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Dimensions:
medium:
Tempera on wood
story of the work:

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The Annunciation; The Nativity; The Lamentation over the Dead Christ

The Annunciation; The Nativity; The Lamentation over the Dead Christ is a notable work attributed to the Master of the Orcagnesque Misericordia, an anonymous Italian painter active during the late 14th century. This triptych, executed in tempera on wood, exemplifies the Gothic style prevalent in Italy during this period. The artist is recognized for his detailed narrative compositions and the use of vivid colors, which are evident in this piece. The work's tripartite structure allows for a comprehensive depiction of key events in the life of Christ, reflecting the religious fervor and artistic conventions of the time. The Master of the Orcagnesque Misericordia is associated with the broader artistic movement influenced by Orcagna, a prominent Florentine painter and sculptor. This painting contributes to the understanding of devotional art in medieval Italy, highlighting the transition from Byzantine to more naturalistic styles.

Description of the work:

The Annunciation; The Nativity; The Lamentation over the Dead Christ

This painting by the Master of the Orcagnesque Misericordia, executed in tempera on wood, exemplifies the Gothic style with its intricate detailing and vibrant color palette. The triptych format presents three pivotal scenes from the life of Christ, reflecting the religious devotion and narrative complexity characteristic of 14th-century Italian art.

Artwork Photograph Source:
Harvard Art Museum

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The Annunciation; The Nativity; The Lamentation over the Dead Christ