The Assumption of the Virgin (1523)

The Assumption of the Virgin (1523) by Bergognone

The Assumption of the Virgin, created in 1523 by Bergognone (Ambrogio di Stefano da Fossano), is a notable example of Renaissance religious art, executed in oil and gold on wood. This work exemplifies Bergognone's skill in combining traditional religious iconography with the emerging naturalism of the period. The use of gold highlights the divine subject matter, a common practice in religious paintings of the time, enhancing the ethereal quality of the Virgin's ascent. Bergognone, active primarily in Lombardy, was known for his contributions to the development of the Lombard school of painting. His works often reflect a blend of Gothic and Renaissance styles, marking a transitional period in Italian art. This painting is significant for its representation of the Assumption theme, a popular subject in Christian art, and for its demonstration of Bergognone's mastery in integrating rich color and intricate detail.

"The Assumption of the Virgin" (1523) by Ambrogio da Fossano, known as Bergognone, is an oil and gold on wood painting that exemplifies the Lombard school's attention to detail and use of rich color palettes. The artwork depicts the Virgin Mary's ascent to heaven, a common theme in Renaissance art, characterized by its harmonious composition and spiritual intensity.