The Crucified Christ between the Virgin and Saint John the Evangelist

Lorenzo Monaco (Piero di Giovanni)

Created:
Movement:
1409
Gothic art
key Notes:
Gothic Elegance, Emotional Devotion
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Dimensions:
Overall, including gable, 33 5/8 x 14 1/2 in. (85.4 x 36.8 cm)
medium:
Tempera on wood, gold ground
story of the work:

"The Crucified Christ between the Virgin and Saint John the Evangelist" is a painting attributed to Lorenzo Monaco, also known as Piero di Giovanni, created around 1406. This work exemplifies the early Renaissance style, characterized by its use of vibrant colors and intricate details. The composition features Christ on the cross, flanked by the Virgin Mary and Saint John the Evangelist, a common theme in Christian art that emphasizes the emotional weight of the crucifixion. Lorenzo Monaco was known for his contributions to the development of panel painting in Florence, and his works often reflect a blend of Gothic and early Renaissance elements. The painting is notable for its delicate rendering of figures and the use of gold leaf, which enhances its spiritual significance. The exact provenance of the painting is unknown, but it is believed to have been created for a religious institution. The work is currently housed in a museum collection, where it continues to be studied for its artistic and historical importance.

Description of the work:

"The Crucified Christ between the Virgin and Saint John the Evangelist" by Lorenzo Monaco is a tempera on wood painting created around 1406. The composition features Christ on the cross, centrally positioned, with the Virgin Mary and Saint John the Evangelist flanking him. Christ is depicted with a serene expression, his body elongated and rendered in a naturalistic manner, contrasting with the stylized figures of the Virgin and Saint John. The Virgin is shown in a blue robe, her hands clasped in prayer, while Saint John is depicted in a red garment, his gaze directed towards Christ. The background is a gold ground, enhancing the spiritual significance of the scene and creating a luminous effect. The use of gold leaf contributes to the overall iconographic richness, typical of early Renaissance works. The painting exemplifies the transition from Byzantine influences to a more humanistic approach in Italian art. The figures are outlined with delicate lines, and the drapery is rendered with careful attention to folds and movement. The overall color palette is characterized by deep blues, reds, and gold, creating a harmonious visual experience.

Artwork Photograph Source:
Metropolitan Museum of Art

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The Crucified Christ between the Virgin and Saint John the Evangelist