The Crucifixion with Donors and Saints Peter and Margaret of Antioch

"The Crucifixion with Donors and Saints Peter and Margaret of Antioch" is a painting by Dutch artist Cornelis Engebrechtsz, created circa 1525–30. The work exemplifies the Northern Renaissance style, characterized by detailed realism and a focus on religious themes. It features the crucifixion of Christ, flanked by saints and the donors, who are depicted in a manner that emphasizes their piety and connection to the divine. The inclusion of Saints Peter and Margaret of Antioch reflects the artist's intention to convey the importance of intercession in Christian belief. Engebrechtsz was known for his altarpieces and religious works, often commissioned for private devotion. The specific identities of the donors in this painting are unknown. The painting is notable for its intricate composition and the emotional expressions of the figures, which enhance the narrative of sacrifice and redemption. The work is housed in a museum collection, though the exact location may vary.

"The Crucifixion with Donors and Saints Peter and Margaret of Antioch" by Cornelis Engebrechtsz, created circa 1525–30, is an oil on wood painting that depicts the crucifixion of Christ at the center. The composition features Christ on the cross, flanked by the figures of Saints Peter and Margaret of Antioch, who are positioned to the left and right, respectively. The donors are portrayed kneeling in prayer at the foot of the cross, their expressions conveying devotion. The background is characterized by a landscape that recedes into a distant horizon, enhancing the depth of the scene. The figures are rendered with meticulous attention to detail, showcasing Engebrechtsz's skill in depicting fabric textures and facial expressions. The color palette is dominated by earthy tones, with highlights that draw attention to the central figures. The overall arrangement emphasizes the centrality of the crucifixion while integrating the donors and saints into the narrative. The painting exemplifies the Northern Renaissance style, combining religious themes with a focus on individual piety.