The Flagellation

"The Flagellation" is a painting attributed to the Master of the Berswordt Altar, created around 1400. The artist is known for their contributions to the Northern Renaissance, particularly in the context of German art. The work depicts the flagellation of Christ, a common theme in medieval religious art, emphasizing suffering and sacrifice. The composition features a group of figures surrounding Christ, who is bound and being whipped, highlighting the brutality of the scene. The use of vivid colors and intricate details reflects the artist's skill in rendering human emotion and physicality. The painting is part of a larger altarpiece, which is characteristic of the period's devotional practices. The exact provenance of the work is not well-documented, and details about the artist's life remain largely unknown. The painting is currently housed in a museum collection, where it is studied for its artistic and historical significance.

"The Flagellation" by the Master of the Berswordt Altar, created circa 1400, is a panel painting executed in oil, egg, and gold on plywood, transferred from wood. The composition depicts the moment of Christ's flagellation, surrounded by figures that include soldiers and religious leaders. The figures are rendered with a keen attention to detail, showcasing intricate facial expressions and elaborate garments. The use of gold leaf enhances the luminosity of the scene, creating a sense of divine presence. The background features a richly decorated architectural setting, contributing to the overall narrative depth. The color palette is characterized by deep reds, blues, and golds, which contrast with the somber theme of the subject matter. The painting exemplifies the transition from medieval to early Renaissance styles, highlighting both emotional intensity and technical skill. The work is notable for its meticulous craftsmanship and the harmonious arrangement of figures within the space.