The Last Judgment; The Virgin and Child with a Bishop-Saint and Saint Peter Martyr; The Crucifixion; The Glorification of Saint Thomas Aquinas; The Nativity
Master of the Dominican Effigies
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The Last Judgment; The Virgin and Child with a Bishop-Saint and Saint Peter Martyr; The Crucifixion; The Glorification of Saint Thomas Aquinas; The Nativity
This painting, created in 1330 by the artist known as the Master of the Dominican Effigies, is a significant example of early 14th-century Italian religious art. The work is executed in tempera on wood with a gold ground, a technique that was prevalent during this period for its luminous quality and ability to convey the divine. The Master of the Dominican Effigies is an anonymous artist, identified by art historians through stylistic analysis of several works attributed to him, which are characterized by their detailed iconography and devotional intensity.
The painting's composition, divided into multiple panels, reflects the narrative complexity and theological depth typical of the era's ecclesiastical commissions. Each scene, from the Last Judgment to the Nativity, is imbued with symbolic elements that would have been familiar to contemporary viewers, serving both didactic and inspirational purposes. The inclusion of figures such as Saint Thomas Aquinas underscores the Dominican Order's influence and the intellectual currents of the time. This work contributes to our understanding of the period's artistic conventions and the role of religious imagery in medieval society.
The Last Judgment; The Virgin and Child with a Bishop-Saint and Saint Peter Martyr; The Crucifixion; The Glorification of Saint Thomas Aquinas; The Nativity
Created in 1330 by the Master of the Dominican Effigies, this artwork is a polyptych painted in tempera on wood with a gold ground, exemplifying the Gothic style's intricate iconography and rich use of color. The piece, likely intended for a religious setting, depicts significant Christian themes and figures, including the Last Judgment and the Nativity, reflecting the theological focus of the period.
